Sofia Gubaidulina’s religious nature, specifically Russian Orthodox, finds expression in each of these pieces. Each also makes use of her much-loved bayan, the. Check out Gubaidulina: In Croce / 10 Preludes / Quaternion by Alexander Ivashkin on Amazon Music. Stream ad-free or purchase CD’s and MP3s now on. “Written over a span of forty years, these compositions by Sofia Gubaidulina have become staples of the double bass literature. In Pantomime one immediately.
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This is a remarkable, compelling work. Sofia Gubaidulina, Galina Ustvolskaya: Genre Chamber Music Classical. Composition Artist Credits Seven Words. Chamber Music with Double Bass. Share on facebook twitter tumblr.
With In crocea number of cross-like ideas derive from the title — crossing of registers, crossing of lines and textures and so on — which are essentially private creative stimuli for the composer. After some wild playing from both instruments, the mood grows hushed again; dissonant chords in the organ accompany the barest of textures from the cello as they both converge again on E. Both instruments center their activities on the note E. One of the many works in which Sofiya Gubaydulina makes reference to Christian themes and imagery, In croce was composed in for cellist Vladimir Tonkha, who, along with organist Oleg Yanchenko gave the work its first performance in the concert hall of the Moscow Conservatory.
Whether you want to see what we think of today’s latest releases or discover what our critics thought of your favourite recordings from the crooce, you will find it all in our full-searchable Reviews Crocr.
As the work progresses the two instruments begin to approach each other, eventually crossing in the most aggressive passage. But in the major work on the record, the half-hour Seven Wordsthe sentences spoken by Jesus on the cross are graphically, even fervently implied. Romantic Evening Sex All Themes. Chamber Music for Bayan.
In croce, for cello & organ (or bayan)
The work’s ending is quiet and somber. If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.
Chamber Music from Russia. Later on, Gubaydulina began to incorporate the bayan, the Russian push-button accordion, into her works, and she and bayan player Elsbeth Moser rearranged In croce for cello and bayan in In Croce; Seven Last Words.
Sofia Gubaidulina – In Croce
Rainy Day Relaxation Road Trip. Roughly speaking, the organ or bayan begins the work playing comparatively diatonic music in the upper part of its register, while the cello plays spare tones in its lower register. Streams Videos All Posts. In croce; Quaternion; Ten Preludes.
Gramophone’s expert reviews easier than ever before. Seven Words; Silenzio; In Croce. The work’s title can mean either “On the Cross” or “Cross-Wise,” and it carres a musical meaning, along with the obvious Christian one. Drinking Hanging Out In Love.
GUBAIDULINA Seven Words. In croce. Kadenza. Et exspecto |
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