Black cufflinks | Try our black cufflinks

Black cufflinks rock.

black cufflinks, the color black appears quite frequently in the mineral kingdom

: coral, hematite, jet, obsidian, onyx, pearl, sapphire, spinel, tourmaline, and still other times stones take on this fascinating tint.

The blacks diamonds, whose color can seem intimidating as evocative of the night and all its mysteries, have many difficulties to cut because of their extreme hardness or, at times, the structural fragility.

Therefore, for decades we have only been used for industrial purposes and to obtain abrasive powder required to cut the same of diamond.

According to the latest theory, they would have an extraterrestrial origin, and would have fallen to Earth billions of years ago, encased in meteorites: for this reason, perhaps, they have always been considered loads of myths objects – even more than the white ones – so when we speak of their history, the conditional is a must. (for this reason black cufflinks sound a mistery)

The Black Diamond “oldest” of which we know could be the “Black Orlov”, a 67.50 carat cushion cut so named by its owner, the Russian Princess Nadia Vyegin-Orlov, lived around 1750

Legend, which seems to deliberately invented to create the suspense around this stone also very seductive, said that would be removed from a temple near Pondicherry, southern India, in its semi-raw form of 195 carats when it was still known as the “Eye of Brahma”.

The “Black Orlov” would be one of the three gems resulting from clipping of the original stone, which occurred near the beginning of the twentieth century.

It was exhibited at the Smithsonian Institution in Washington in 1951, in Dallas in 1964, in Johannesburg in 1967 and the Natural History Museum in London in September 2005.

Rated $ 150,000, was sold in 1969 to double this figure and a second time in 1999 at a Sotheby’s auction. (there are famous black cufflinks in the past)

Another important black diamond is the ” Amsterdam ‘, a nice drop of 33.74 carats cut precisely in Amsterdam in 1973 with 145 facets from a rough of nearly 56 carats that had been assessed a little more than three hundred dollars.

This stone was auctioned at Christie’s in November 2001 to record price of $ 352,000.

The first significant use of blacks diamonds in jewelery came only toward the beginning of the nineties 1900:

among the first to mount them on an experimental basis and in very limited quantities, was Pam Grantham, a designer English wife of a senior executive of De Beers. In 1996, however, Fawaz Gruosi, a Lebanese jeweler Florentine mother, founder of the fashion house de Grisogono which now has branches in various parts of the world, made the first collection blacks diamonds destined to succeed.

Gruosi states that: “Much has been written on the white diamonds, now it’s up to those blacks.

The mysteries of this unusual gem, long underestimated and not always appropriately presented, they deserve some explanation.”

black cufflinks

In fact, the blacks diamonds have always posed several problems: in addition to those related to the cut, there are also those concerning the color.

The official gemology, in fact, does not consider them fancy-colored, on par with the sought-after and expensive blue diamond, pink or yellow. (black cufflinks are magic)

Because of their very nature you can not classify the purity and then have to give up one of the “four C” (Clarity, Color, Cut, Carat or purity, color, cut, weight) that have always been considered the pillars of the classification of diamonds.

Above all, they have never returned to their multimillion-dollar global projects and marketing of De Beers, so the blacks diamonds are the real gems among the outsiders and we may venture to call them the fruit of sustainable recycling of a mineral …

Fawaz Gruosi has been responsible for the cutting and marketing of two of the most important blacks diamonds known today, the “Gruosi” and the “Spirit of de Grisogono” With the 115.34 carat “Gruosi” is cutting a bigger heart in the black world, it comes from a rough three hundred carats found in India and it took three years to cut, from 1998 to 2001.

The “Spirit of de Grisogono “weighs 312.24 carats, making it the largest existing black Diamond and the fifth in order of weight.

The crude 587 carats, was found a few decades ago in the Central African Mining Western, was cut recently following the ancient techniques used by the Indians for the superb faceting stones of Mogul emperors, like the legendary “Orlov” that Catherine the Great had done embed in the Russian imperial scepter.
(L ‘ “Orlov” could be the “Great Mogul”, that the Venetian Hortensius Borgis was called to cut in India around 1660, at the risk of losing their lives, but that’s another story …)

Around the world there would, presumably, other important blacks diamonds of which only speaks occasional.

Cufflinks for men: never forget them

Cufflinks for men, read the lines below to know their importance.

Cufflinks for men is often regarded as an accessory to be used on occasions when it is particularly important to the shape and elegance.

It therefore tends to associate the twins to a particularly stylish clothing; For example, referring again wikipedia:

The twins are not in common use, the shirts that require them are considered stylish clothing, the use of which is mandatory with formal wear as the tailcoat and tuxedo.” (Cufflinks for men)

This is not, in my view, entirely true. Obviously I do not mean that you can wear the twins for a game of football!

However I think even less “harsh environments” cufflinks for men can be found excellent to express your own style!

Price of cufflinks for men

Establish an “average” price indicative of this product is very difficult, almost impossible. It really depends on the type of twins who wants to buy, their make, construction material.

I end immediately the list because the network there is a countable infinity of e-shops that offer twins of any kind.

Searching the net you can find twins at lower prices VERY, which of course will be produced with different materials or with different processes, or will not have any brand etc …

A little ‘history of cufflinks for men

The twins were born NOT for a mere aesthetic needs.

At the end of the nineteenth century it arose the need to tie the cuffs of shirts with something more resistant, than the classic button wedged in a slot, because the shirts were very starched and tissues became particularly rigid.

In this regard the twins were born, who after losing time with their functionality, have remained in the wardrobe of “gentleman” as a particularly elegant ornament.

(you will love Cufflinks for men)

Bracelets for women | Something worth

Bracelets for women. First, Let’s talk about bracelets.

Bracelets for women – Born originally as a symbol of power both political and religious, its origin dates back to the Bronze Age

a simple wooden smooth circle, woven plant fibers with strips of leather or bronze, later replaced by iron was homonymous.

The Mycenaeans created gold bracelets spiral or tape, etched geometric shapes with magical meanings; the Egyptians and the Babylonians were wearing, even the ankles, thick circles decorated with mythological images, engraved with enamel and set with beetles in turquoise.

bracelets for women

The Greeks favored instead the said models “rosary”; of cords or threads of gold they stuck objects pearls, stones, corals.

The Etruscans, the great goldsmiths, put the left humerus bracelets; invented gorgeous models, compounds of flakes hinged to one another and embellished of ivory, amber, glass and coral.

Famous is their so-called cuff “chimera”, hard, open and ending with two facing heads: two lion or a lion and the other goat.

The Roman soldiers were distinguished by the use of “armillae” in the left arm, high, smooth and flat circles in gold, a symbol of military valor.

Patricians sported instead “destrali”, more elaborate bracelets worn strictly on his right wrist; very refined were also considered “torques brachial”, the form of twisted cord.

Of that it is also the bracelet “slave”, a stylized form of reptile coiled around itself, exclusively worn by women above the elbow.

Even the real slaves, poor things, had their bracelets: metal, fixed at the wrist and ankles, accompanied by a ring which, in case of insubordination, were tied to the chain …

In the Middle Ages, because fashion which required long-sleeved clothes and already highly decorated wrists with thick embroidery, almost disappeared bracelet.

Came into vogue in the 1600s, the era of enamels and miniatures, but reached its peak during the Directory (1795-99), thanks to the Greek-inspired clothes that lasciavan bare arms; the most popular model was the “boite à portrait”, a velvet ribbon with a medallion in the center stitched with cameo. (very peculiar bracelets for women)

Throughout the nineteenth century and the early twentieth century the bracelets were the most used jewelry, and artistically the most beautiful; of various shapes and metals, towards the middle of the century in Italy even patriotically decorated with small mosaics or miniatures depicting the various cities or the portraits of royalty.

In England in Victorian depopulated, as a token of love, those of braided hair in fine gold threads.

And always at that time and always in the land of Albion I was born the “charms”; use evolved from mother to donate her daughter just “developed” a chain bracelet (thin menarcale symbol of slavery). (it’s not the meaning of bracelets for women nowadays)

For life then, on every occasion (birthday, good mark, name day etc.), friends and relatives donated to the girl of charms (charms, lucky charms) of various shapes to hang on to that chain.
Finally were the Art Deco and Art Nouveau to create the most original bracelets; very popular model was the one that depicted a viper with a precious stone set on the head or in place of eyes, a symbol of the female gender – in fact – vampire, fatal and implicit sexual references;

Women’s jewelry | you won’t forget it

In the lines below you will find out more about women’s jewelry.

Women’s jewelry in the nineteenth century

A century “long”, the nineteenth, that the rise of Napoleon – I should say from the French Revolution – comes close to the First World War, finally giving way to the century “soon,” according to the famous definition of the historian Hobsbawm.

In the field of jewelry, throughout the nineteenth century is characterized, more than by real novelty, by continuously recur and overlapping of styles and techniques of the past, even if interpreted in the light of contemporary events.

The jewels virtually disappear in the years of the French Revolution – the years when prudence suggests to conceal any luxury and you arrive to manufacture small silver guillotines or gird up the red ribbons neck, in the exaltation of the severed heads – only to reappear around their glory with the advent of Napoleon.

The future emperor of France loves luxury and women’s jewelry

, and is certainly not less his wife, Josephine Beauharnais, who will dictate the laws of a new, glitzy fashion court.

Napoleon hastened to recover the remains of the Crown jewels, went partially destroyed and partially looted during the Revolution, and makes them readjust to his wife from large jewelers as Nitot.

women's jewelry

In memory and in emulation of imperial Rome, back, revisited, the Roman jewelry, with beautiful tiaras of diamonds and precious stones, laurel wreaths made of gold leaves and diamonds, rings and bracelets, the latter often brought in pairs, one for each arm.

The ceremony of the coronation – immortalized in the famous painting by Jacques-Louis David, now in the Louvre – manifests the new style imposed by the rulers.

The tiaras, among the most popular jewelry, are often accompanied by finery, in a splendor suited to the grandeur of the French court.

Napoleon’s campaigns in Italy and Egypt contribute greatly to revive the echoes of women’s jewelry Roman

, Greek and Egyptian, down to the noticeable return to an earlier era typical of that period.

We find these echoes in the mosaic decorations made with small pieces of colored glass, perfect for composing necklaces and bracelets, carved in gems and cameos, much loved by Napoleon, and the large amount of jewelry in Egyptian style that “invades” the court.

Starting from 1814, with the Restoration, the nobility back to power, but impoverished.

For some years, diamonds and precious gems will be replaced by cheaper colored stones such as topaz or turquoise, and for the same reasons will fashion the watermark, which allows to realize a number of jewelry with a quantity of gold limited.

The rest of the watermark, this a recovery from the past, fits perfectly into the genre of jewelry “archaeological”, which became fashionable after dreadful discoveries made in that period – primarily Herculaneum, Pompeii and tombs in New York – and blowing up a veritable craze for jewelry made according to the techniques and motifs of ancient civilizations.

In Italy, the Roman jeweler Fortunato Pio Castellani manages to produce virtually identical to the original Roman jewelry, Greek and Etruscan, using the same ancient techniques of filigree, granulation, the micro-mosaic, the glyptics: a production that will be continued by his sons and ” exported “even in Paris, where Alessandro Castellani successfully open a shop.

The jewel of ancient memory enjoys immense fortune even in London, thanks to the splendid creations in neo-Renaissance style Neapolitan goldsmith Carlo Giuliano.

At the beginning of the century, for that matter, London called for a short period the laws of a particular men’s fashion: Beau Brummel ( “Beau Brummel”) initiates what will be called

“dandyism”, more than a fad a lifestyle

, in where the discreet clothing and at the same time sought becomes the true work of art, to whose care the “dandy” devotes whole hours of their day. (it pushed a lot women’s jewelry)

Appear precious buttons and pins, metal and gems, and fine men’s accessories such as jeweled walking sticks.

In France, among many others, it does not escape the fashion of the precious “for him” even the great Balzac, who loves to show off large rings.

With the return of a strong prosperity, come back into vogue in France the precious jewels, often made with real “cascades of diamonds” to the thirties of the nineteenth century,.

These jewels, inspired by a naturalistic style that sees among the privileged flower bouquet motifs, stems, leaves, branches and birds, spread throughout Europe and are expressed in all types: necklaces, bracelets, tiaras, brooches.

Helen of Troy and hairstyles

Of indescribable beauty, lover of wealth and casus belli of the Trojan War, Helen loved to show off those hairstyles in gold in Archaic Greece were all the rage.

Famous is the one found in the “Priam’s treasure” by the German archaeologist Heinrich Schliemann; these, in order to evoke the most of the ancient pomp, made her wear his wife Sophia.

Cornelia and “Accents”

He lived in Rome in the second century BC, is famous for being the daughter of Scipio Africanus and mother of the Gracchi. It is said that he replied, in a matron who sported her precious, “haec mea ornamenta” These are my jewels, showing her own sons Tiberius and Gaius.

Educated woman with a strong temperament, he preferred to devote himself to the education of children rather than fame and fortune, becoming a paragon of virtue and matron and mother.

Elizabeth I and pearls

It is considered one of the most important sovereign of England and had an unbridled passion for pearls, enough to buy a sumptuous and very long necklace for about 3000 pounds. It was the early 1600s.

Marie Antoinette and the glitz that outraged a people

The most famous of her jewelry was a wonderful parure in diamonds, whose main element was a “piece de corps” mounted by Leblanc jeweler.

Because of the glitz that sported while the people of Paris was starving, he was’ one of the personalities who most helped trigger the French Revolution.

Liz Taylor and the more expensive ring in the world

His film career peaked in the ’60s and’ 70s, a period which also saw the explosion of fashion diamonds.

He caused a sensation when, in 1969, he received a gift from her first husband, Richard Burton, a diamond with 68-carat teardrop shape. Later, Burton wrote about the purchase: “I wanted it because it was an incomparable beauty and had to belong to the most beautiful woman in the world.”

Jewellery online | it has never been so comfortable

A jewellery online is somthing cloud.

From the beginning to nowadays: the jewellery online.

Start the search for combinations of jewel
and clothing by giving over to a parallelism
ism of styles, tastes and trends.

The only factor negative of the Renaissance was that of
continuous changes of fashion which dynamics.
He involved the renovation of the jewel leavdoci little evidence of that.
The jewelry went now established worldwide
art.
Famous painters and sculptors came
by young apprentices in the goldsmith’s workshop.
Some examples we find them also in Italy,
as Donatello, Botticelli, Ghirlandaio
and Brunelleschi.

The ability of the jewelers
he was able to express themselves in various forms
and themes. Nothing worth saying of the poet Pierre
de Ronsard:

what is wearing so many rubies
and diamonds when the only beauty is your only
ornament? We see an example in the portrait
Elizabeth I of England that appears
burdened with pearls, diamonds and gemstones.
The object most appreciated at this time
was pending, an accessory chain
already much used in medieval times.

Other object ornament tied to the folklore and the costumes
local traditions is the earring, connected
also to many legends, myths and eccentricities.

The woman is used to harmonize their features, their hair and the color of
own eyes. The fashionable hairstyles was directed to leave the ears uncovered to
give the possibility to show and appreciate the beautiful pendants; this show
such as jewelery can impact on fashion.

The pendants were increasingly

enriched of gems so as to create cascading clusters
on different levels, called girandoles with reference to the chandeliers of Versailles.
Very popular were also the rings that were
brought, as indeed it happens now, on each finger.

In the sixteenth century the use of the bracelets had a
little rarefied due to the terminal edge
of the sleeve (usually lace) that made
difficult its use, while in the century
Next he gave a new impetus to
jewel with fashionable sleeves
gap that allowed to highlight the wrists.

The Venetian Peruzzi, in the seventeenth century, realizes
the first brilliant cut (58 facets)
giving greater splendor than diamond
that in use said Mazarin (32 facets).
The increased demand for gems in con-
attenuation. Topaz, amethyst, sapphire
and olivine alternated in the use dictated
from fashion which at that time it was unstable.

jewellery online

The jewel had more or less important

, and
still it has the function of representing the act
the gift of self-esteem, consideration
or its gratitude. served for
win the sympathy of the rulers with
the appropriate choice of a single subject,
The beauty of jewelry reappeared
the empire, when the new political figures
wanted to highlight the importance of their
charges.

It was characteristic of the nineteenth century
eclecticism in reproducing old styles in a
Alternative carousel between Gothic architecture,
Renaissance and fashion jewelry of
Ancient Egyptians. In 1837 he began the period
Victorian that saw the introduction of new
materials and craftsmanship. Between these
It deserves to be mentioned plating,
designed by the Italian Brugnatelli, which allowed
to coat each object of a thin film
gold.

New productions of improved imitations
gems introducing new compounds found by Joseph Strasser.

Queen Victoria had a great passion for jewellery online type
“Sentimental,” which, after the death of
prince Consort Albert, turned those in mourning.

For this purpose was used The jet (black, compact variety of lignite)
and black enamel. He returned, with greater vigor, the tradition of
put the lock of hair of loved one
into a pendant housing or brooch.

In 1870, the discovery of deposits
South African diamond-created a new atmosphere almost
to believe that diamonds.
They were available to everyone.
Created frames where the metal was made less
visible to the advantage of the
gems.

At the end of the century
He was born the art noveau
, judge ed a decadent feel
and again nothing to do with the characteristics
tics of those of previous centuries.
This expression Artistic he found originally on grounds
floral and animals made with enamels
new colors.
Born in the twenties, the Article
Deco.

It creates a new way to express
its artistic sense. The beautiful shape
and soft dell ‘ art noveau.

They are replaced with geometric shapes linked to Cubism.

In subsequent years there is no longer a susse-
guirsi of styles but a
fashions that alternation
They offer the jewel called “white” because
made of platinum
or in white gold with
diamonds. We are in the thirties.

The modern world is different in tastes
and feel free to
follow their own tastes perhaps
also guided by an efficient fashion sets.
The frame that the jeweler wants to create
can sometimes be
conditioned by the beauty
Gem. However
vviare to this the creator
It may be used
the cooperation of
designers, engravers, the enamellers,
of setters, etc.

You must determine whether the
gem must have a dominant role or
share with other stones beauty
the jewel. In other words you go looking
of the various factors that can contribute
the creation, while taking into account
the economic factor that can
determine the realization.
And ‘this an issue that touched
everytime.

Today we also
the fashion that goes in search of the new,
the quest for originality and signature.

In the world of jewellery

online exist
creators of auteur jewellery online,
designers,
who work in own or at
major laboratories, large manufacturers
and the craftsman who personally oversees
all stages of processing.
In producing a jewel follow
two directions: either you have the drawing and
you must provide the
stones suitable to the realization
tion, or you have
stones and trying to
appropriate solution to
type of material
at its
arrangement.
The jewel of the capital
we find them in Paris, New
York, Tokyo, Rome, Milan
and Valencia.
Italy is the most
Manufacturer and Exporter
World of jewelry online.

Necklaces for women | more than a present

The necklaces for women.

We continue with a new intervention the journey into the past world Georgian and Victorian era.

This time I want to devote myself to a particularly common type of jewelry in both periods we are dealing with: the choker necklaces for women.

The name choker necklaces for women could be translated to the concept affinity with the Italian crew neck, or a necklace that does not lean too much on the front;

This feature, however, clashes in a rather flashy with the concept of modern choker we have in mind, that is a precious metal wire (gold or pearls), which elegantly adaga at the base of the neck, just alighting on the shoulders and collarbone.

necklaces for women

Lately it has also been translated as a collar, but I prefer not to use this term which reminds me too much the collar for dogs … -.- ‘

Georgiana aged above and little Victorian, the shape of the necklace was quite different, so I prefer to refer to the jewel calling him by his English name, so you do not create unnecessary confusion about what is and what should, through what was , but it is no longer = P

The style choker necklaces for women was “band”, ie a flat necklace, high average two fingers, enveloping the lower neck, accentuating the length and graceful shape.

Realized both in light and dark materials, this type of jewelery was thought to slim the curve of the neck and, at the same time, ornate certain types of necklines not too deep (which would disappear in the blaze of the wind meats).

Very important is to differentiate chocker with torque, the latter is a jewel of Celtic origin coming from the Bronze Age, characterized by a rigid shape that would stop at the base of the neck, almost was a big open-loop to go head , the choker, however, is necessarily soft: the necklace can be of cloth or metal or other forms and, as long as its structure is soft, it will be a choker and not a torque.

The idea of necklaces for women is ancient, medieval, maybe, and it was not out of fashion since then until dawn Victorian times, when, after a period of decline had with Marie Antoinette, she had been relegated to the “necklace” role.
Choker necklace, in its many forms, will become ornament for day and night, sometimes considered vulgar, others the height of elegance.

A feature that certainly has maintained throughout the duration of the story that we analyze was knowing how to exalt the feminine sensuality, providing a contrast between the milky whiteness of skin and that of gold or precious fabric strip that ran along the column, remember that people of that time was made of the trips on a beautiful monstrous neck and ears could be the hidden fetish of a man …

The special choker, however, is to be very snug, no rivulets of diamonds and pearls and gold mesh that fall on the chest and shoulders.

Its history in the Georgian fashion was born when the ladies (maybe less well-off) began to adopt the custom of binding bows around the neck, perhaps adorned with a simple pendant, instead of expensive necklaces.
Though this trend remained rather muted during the reign of Louis XVI and Marie Antoinette (the latter implicated in the scandal Deal of the necklace he wanted the flashy jewelry, flashy and very expensive).

It was revived during the French Revolution by the British, in particular by the girls who used to wear a red bow around his throat in memory of those who had fallen under the ax of the guillotine.

According to many opinions, this custom red bows is the first example in history of sympathy for the victims even when they are not acquaintances or friends, in short, someone to whom we are emotionally tied.

Subsequently, after the revolutionary period, the red ribbon was replaced by black and blue, or white, depending on pairing with the dress.

In Victorian times the dark colors were very popular for the strip of cloth, also stand out because they were pale complexion and exalted the neck shaped diverting attention from other parties, perhaps not as delicate.
Combined with fabric collar it was almost always a significant pendant, such as a cameo or a teardrop pearl rather showy.

Pearl or cameo were designed specifically why come down on the sternum of the woman, so highlighting the neckline [although they were very chaste in some periods].
The color was very important to enhance the complexion and the shapes of the woman and the same tag was often a small masterpiece of the goldsmith’s art, skillfully chiseled in gold or silver and, in some cases, finished with precious stones.
Excluding the above examples, there were charms in all forms.

Costume fashion jewelry | more than personal | unique

Costume fashion jewelry is something worth.

Costume fashion jewelry is the most favourite jewelry in history.

Who knows how many people, watching a jewel,
You have wondered what connection there might be between the desire to possess, and also to take it,
and goldsmith tradition that has its roots deep and jealously guarded for millennia Man has always sought, since the
ancient times, to adorn themselves with the objects
where rare or difficult to confer availability
personality, importance and prestige

costume fashion jewelry

within a community that demanded the establishment
of hierarchical layers or the assignment of duties paramount. It seems strange, but the man thought
first to adorn themselves and then get dressed.

In prehistoric times, the attention of the ornaments.
He was directed to hard to find items constituted by shells, fish teeth and cats or tusks of mammoths, whose origins
date back about twenty thousand years BC At
some communities, already under development,
cut, sagomavano, they pierced and incide-vain
materials such as tusks, horns and seashell
daughters, using chisels of flint or obsidian.

The costume fashion jewelry of that time was purely
a lapidary (stone-cutter, or sanding).
We must wait until the Bronze Age to
see the application of processing techniques
metal that enrich the continuing
Use the ancient ornaments. These, in times
later, they had hired a function different.

For example,

the shells were
widely used in the Dynastic Period
by Egyptian women as protection against
sterility.

The embellishing some parts of the body
with these subjects also responded to the designated
sire to protect themselves from the disease and the forces
of evil, namely a apotropaic function.
It was in the presence of ornaments that enclose
devano superstition, beauty, magic and power. (costume fashion jewelry is magic)
With the advent of writing, or better, by
that period in which man tries to translate,
with signs, images and then with letters, the message
Phonetic essay, ends the prehistoric phase
begins the interest of man to the minerals
of secondary origin, ie flood: gold.

The golden age

began five thousand years BC in
Egypt, during the fourth dynasty (2500 BC)
It begins to melt the metal with stove
fueled by the influx of air. For the Egyptians
gold was the flesh of Ra, god
Of sun. Eastern religions,
as for some other, prevails The votive gold character.

An Indian legend says that our
world has originated from a golden egg.
Not least were the Mayas and the Incas
which although belonging to the American continent
They have forged a deep bond between
their gods and the gold. The man soon finds the de-
derio to adorn themselves for religious or artistic reasons.
The sacred, the beautiful and the fetish are confused
in the jewel. Then it seems that it takes the sur-
wind adornment aesthetic function.

For this purpose they are concerned the techniques of processing applied 2000 years BC by Egyptians, like the fusion system with the pro-failure of the “lost wax”.

One among the most ancient techniques is that of granulation, started 3000 years BC from Sumerians, and then developed by the Etruscans (VII-VI century BC). It is constituted ornaments from tiny spheres settled silently on the object surface. In ancient times no there was only the object shaped in gold but Also enriched with stones, enamel and ceramics.

Among the most significant costume fashion jewelry of the period should mention the aigrette

this precious ornament for the head, gold and diamonds, playing a tuft of feathers; often, thanks to the frame “en tremblant”, the diamonds move, following the movements of the wearer. Then there are the long chains, worn around the neck or waist – perhaps to hold the clock – built according to different styles: simple links or alternating with gems or blocks depicting classical scenes, enamel or micro mosaic.

After the 1848 revolution, the French political situation underwent a period of relative peace with Napoleon III, elected Emperor in 1852. It should therefore be re-establishing the court habits of life, with a renewed development of the jewelry.

This also occurs under the influence of the Empress Eugenie, who has a particular passion for pearls and diamonds, in particular for the eighteenth-century models, and that this will unpack and reassemble all the style of the times of the great jewels of the Crown Maria Antonietta.

Also Romanticism

, a cultural movement that was born at the end of the eighteenth century in Germany and England – then spread throughout Europe for much of the nineteenth century – does not fail to affect motives and jewelry styles. In England.

In particular, the historical novels of Walter Scott and Lord Byron’s works undergo an immense success and contribute to the spread of a gothic style with medieval echoes, which are reflected in costume fashion jewelry with the use of cabochon stones, enamels and motifs such as the sword, lords and ladies, scenes from the lives of the saints, the clover, or architectural motifs such as the pointed arch, taken from Gothic cathedrals.

Also are highly prized jewelry, especially rings and bracelets that express feelings of love and friendship through the use of words or the language of flowers, according to which each flower has a defined message; Also enjoy great popularity until the end of the century, the sentimental reasons and the node of the bow, and those of the cross, anchor and heart, to symbolize faith, hope, charity, discounted to the present concepts in pendant auspicious of a known brand.

Trendy fashion jewelry | fashion and more

Trendy fashion jewelry is very important for economy.

The year 1861 marks the beginning of widowhood in England of Queen Victoria.

This period was the beginning of the demand of trendy fashion jewelry.

On the death of her husband, Prince Albert, the Queen begins to wear mourning dress which then led for the rest of life, combining it with jet necklaces or pearls: these “mourning” jewelry spread rapidly across the country, with different variations that sometimes border on the macabre.

Trendy fashion jewelry, Rings, lockets, pendants and bracelets have small cavity for containing memories of a loved one missing person, most strands of hair. It even gets to realize the intertwining jewels of the dead hair!

The European courts, moreover, in periods of mourning also the type of jewelry that can be worn is regulated by precise codes.

Pearls, for example, are considered appropriate: the announcement of the Viennese court, for the death of Rudolf reigning prince in 1889, stipulates that the court ladies wear “black silk, with hairstyles and seals in white lace and real jewels, or white and gray suits, with black lace and blacks jewels or pearls. ” Fortunately, next to these strict jewelry, they survive much more joyful jewelry; earrings, in particular, favored by hairstyles they see her hair, are extremely popular in all possible shapes and styles: plain gold or with the inevitable diamonds, pearls or colored gems less demanding.

trendy fashion jewelry

The well-being generated by the Industrial Revolution leads to a production of affordable jewelry also to the new middle class, quality of course, but not excellent, low-cost, thanks to the advent of electroplating (process that allows to cover the metal with a thin layer of gold or silver) and of the press, which prints quickly and at low cost hundreds of models.

But next to this lower level of production, does not cease to certain precious jewelry.

The diamonds, which as we have seen are the favorite gems of the nineteenth century, will further spread in the last decades of the century, following the discovery of large deposits in South Africa, and the increased availability leads to new solutions in cuts and frames, they become more read. It remains to point out, at the close of the century, the great revival of the pearls.

In America this fashion would be unleashed, in 1875, by a definite fact. It seems that a certain David Howell of New Jersey has found a large pearl (weighing 20 grams) in a dish of shellfish, and Charles Tiffany has paid as much as $ 1,500 for purchase.

From that moment the American rich are racing to possess pearls, buying them at auction or directly from European aristocrats, who can no longer afford such luxuries.

In Europe, the beads continue to be used, of course, in earrings and necklaces or multiwire round neck, but also in the brooches and tiaras, back in fashion, to close the imaginary circle of what has rightly been called “the century eclecticism “.

These, in the West,
They were immediately appreciated for their extreme hardness characteristics such as to confer a halo of invincibility to those take him.

The superstitions and beliefs pushed to possess gems that would assure almost supernatural powers.

Other objects function gevano talisman. The most famous is the
pendant of Charlemagne consists of two sapphire cabochon transparent, between which was place a piece
the cross of Christ (814).
Until the Middle Ages the wealth represented the joys of royal houses were used for purposes political representation (wealth and power) and to establish the principle that the trendy fashion jewelry
It was a divine right of monarchs.

Not of rarely served as a guarantee for obtaining
funding useful to military companions.
Their use has always been limited to the par-
Colari ceremonies imposed by tradition.
Examples are the Crown Jewels
England of which are only worn
at the opening of Parliament.
An ordinance of St. Louis (1214-70) established
that women.

They could not wear trendy fashion jewelry

, even if principesse or queens,
since the only woman worthy was the Holy
Virgin. Charles VII of France, infatuated by
charm of Agnès Sorel, belonging to
the nobility of the province, broke the tradition rega-
lando every variety of jewelry including
diamond (mid-fifteenth century).

It ‘s so that the profession of jeweler was able to
emerge from the bond that bound her to one production of trendy fashion jewelry and ornaments
real.

He started a new fashion. Cosimo I de ‘
Medici (1519-74), patron generous, reserved
the Ponte Vecchio to the goldsmiths workshops, the
the jewelers and silversmiths, and boosting
prosperity in these arts. they began training
distinct professional artists: beater,
shooters, spinners, gilders, sculptors, goldsmiths.
Everywhere, the goldsmith was enjoying privileges and protection
tion. Born corporations well Regulation
mented.

There were, for example, of the goldsmiths
Grand Pont in Paris and those of the Ponte Vecchio
in Florence that were part of those corporations.
Following the specialization will take shape
giving the goldsmiths performing properties with
any enrichment of stones whose
function remains
ornamental accessory
while jewelers the task of creating objects
for which the gem will be the essential reason.

The Renaissance changed and gave use
a different pulse of jewelry.

He existed in European atmosphere inspired by the desire
to live and adorn themselves with precious jewels.
The greater availability of “precious stones”
served to satisfy the increased demands
by the nobles.

Women’s bracelets | the circles of power

Women’s bracelets – the power of a circle.

Born originally as a symbol of power both political and religious, its origin dates back to the Bronze Age; a simple wooden smooth circle, woven plant fibers with strips of leather or bronze, later replaced by iron was homonymous.

Women’s bracelets were important.

The Mycenaeans created gold bracelets spiral or tape, etched geometric shapes with magical meanings;

the Egyptians and the Babylonians were wearing, even the ankles, thick circles decorated with mythological images, engraved with enamel and set with beetles in turquoise.

The Greeks favored instead the said models “rosary”; of cords or threads of gold they stuck objects pearls, stones, corals.

The Etruscans, the great goldsmiths, put the left humerus bracelets; invented gorgeous models, compounds of flakes hinged to one another and embellished of ivory, amber, glass and coral.

women's bracelets

Famous is their so-called cuff “chimera”, hard, open and ending with two facing heads: two lion or a lion and the other goat.

The Roman soldiers were distinguished by the use of “armillae” in the left arm, high, smooth and flat circles in gold, a symbol of military valor.

Patricians sported instead “destrali”, more elaborate bracelets worn strictly on his right wrist; very refined were also considered “torques brachial”, the form of twisted cord.

Of that it is also the bracelet “slave”, a stylized form of reptile coiled around itself, exclusively worn by women above the elbow.

Even the real slaves, poor things, had their bracelets: metal, fixed at the wrist and ankles, accompanied by a ring which, in case of insubordination, were tied to the chain …

In the Middle Ages, because fashion which required long-sleeved clothes and already highly decorated wrists with thick embroidery, almost disappeared women’s bracelets.

Came into vogue in the 1600s, the era of enamels and miniatures, but reached its peak during the Directory (1795-99), thanks to the Greek-inspired clothes that lasciavan bare arms; the most popular model was the “boite à portrait”, a velvet ribbon with a medallion in the center stitched with cameo.

Throughout the nineteenth century and the early twentieth century the bracelets were the most used jewelry, and artistically the most beautiful; of various shapes and metals, towards the middle of the century in Italy even patriotically decorated with small mosaics or miniatures depicting the various cities or the portraits of royalty.

In England in Victorian depopulated, as a token of love, those of braided hair in fine gold threads.

And always at that time and always in the land of Albion I was born the “charms”; use evolved from mother to donate her daughter just “developed” a chain women’s bracelets (thin menarcale symbol of slavery).

For life then, on every occasion (birthday, good mark, name day etc.), friends and relatives donated to the girl of charms (charms, lucky charms) of various shapes to hang on to that chain.
Finally were the Art Deco and Art Nouveau to create the most original bracelets; very popular model was the one that depicted a viper with a precious stone set on the head or in place of eyes, a symbol of the female gender – in fact – vampire, fatal and implicit sexual references; a return to the “Roman slave” but, this time, was definitely determined to enslave man.